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I really wanted to work in extreme low light, and in this case, spherical was the right choice. After extensive lens testing, Friend decided on shooting spherically, “ Because I wanted a reasonable stop. One thing we can get with VENICE was the atmosphere - the pollution – which was an amazing kind of glow and the camera could see far more information than my eye could register, especially with night exteriors,” he explained. “I wanted to capture New Orleans at night, and the vibrancy of the lights. “The VENICE came out on top, because it was creatively driven,” he explained.
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In preproduction, Panavision New Orleans supplied a number of cameras and lenses for testing.
#YOUR HONOR SHOW FULL#
The VENICE rendered images beautifully it feels more film-like than digital.” Noting that Bryan Cranston “has a beautiful face, full of character, the untreated image that came out of the camera was such a good starting point.” But with the VENICE, “I never had any doubts.
#YOUR HONOR SHOW SKIN#
I also thought it would be interesting to use it on a contemporary drama with a naturalist aesthetic,” he explained.Īs for skin tones, Friend admits the way a camera renders skin tones is one of the things he worries about. “It impressed me so much I had to revisit using the camera. The other thing that is quite shocking is the humidity and the heat, and we wanted to capture that,” he said.įriend settled on the Sony VENICE for capture, after using it on the Netflix show “Cursed,” which was a polar opposite production, but he loved the large form sensor.
![your honor show your honor show](https://www.famousbirthdays.com/group_images/medium/your-honor-show.jpg)
The initial look came from traveling around New Orleans during the day and at night, and appreciating that contrast, the two different sides of the coin.” Filming in areas like the 9 th Ward, “the poverty evokes a sense of sadness, which we wanted to document with the photography. I am a big fan of naturalistic lighting, a sort of enhanced naturalism.”īecause the show is based on a real-life dilemma, and a father/son relationship, Friend explained, “If it felt too engineered, it wouldn’t work. “The director and I realized pretty quickly we didn’t want the film to feel to like a staged look, we wanted it based in reality. “ At night, New Orleans is an insane place, everything glows and nothing is uniform.” To him, there was a real vibrancy and sense of culture, “which is pretty extraordinary, from an outsider’s point of view,” he laughed. Upon landing in the city, the first thing he did was drive around. “I had never visited New Orleans, and I wanted to go in relatively uninhibited, a bit like a sponge,” he explained.